钻石达拉斯·佩奇（Diamond Dallas Page）的手被举起天空，指尖在所有精英摔跤的狂欢时在海滩上失去了熟悉的信号，向球迷们失去了想法。“这可能是钻石切割器的时间！”吉姆·罗斯（Jim Ross）无误的评论大喊。The Butcher, one of Page’s opponents in this freewheeling six-man tag match, gets to his knees, then his feet, and walks straight into the pro-wrestling legend’s finisher, ending up face down on the mat as icons including Ric Flair, Macho Man Randy Savage and Bret ‘Hitman’ Hart have done before him.
同时，有四个半英里的地方每次我死在他们的22年历史中，准备在没有吉他手安迪·威廉姆斯（Andy Williams）的情况下播放他们的第一场演出。毕竟，他真的不能在珊瑚山墙的Watsco中心拿起钻石切割机和巴黎，一次浪费在华丽的Cabaret Sauvage场地上。看来，过双重生活可能会在您的日程安排上。
“我更担心这些家伙对我的反应说，‘我要对此进行摔跤演出。’“但这是钻石达拉斯·佩奇（Diamond Dallas Page）有史以来的最后一场比赛。那是他的退休比赛。因此，当您将重量放在上面时，花花公子就像是：“这是一生一次的机会，只是走。’”
到那时，每次我死时，都会将事情融合在一起以完成他们的燃烧新记录。Metalcore Hellraiser完成了跟踪Radical去年3月初，正当美国面对19日大流行时，美国停下来。他们将一些新歌曲纳入了芝加哥的一场售罄的节目，然后在全国范围内关闭，然后将专辑放在架子上，以动作将各地的音乐家熟悉。威廉姆斯接下来做的事情少了。
“You spend all this creative energy doing this beautiful record, you get out, you play one show and the entire world shuts down,” he recalls. “At that point in time I had been working with AEW but I was getting paid by appearance. If they booked me for a show, that was the only time I got paid. It seemed like that was what they were going to do with me and my [tag team] partner. But then they offered us the full contract.
“当事情开始与大流行有关时，这是正确的。我当时想，‘宇宙真的在跟我说话。我必须这样做。’我已经听了近两年的唱片了，每次我们的经理都会打我们，因为看起来我们可以预订一些节目，他们将被取消。我首先要摔跤 - 如果另一件事没有回来，我需要设置自己。至少可以说，我全力以赴。”
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But you don’t just walk through the door at a promotion like AEW, which has emerged as a serious rival to the industry-dominant WWE in recent years by signing a series of eye-catching free agents and indie heroes, including CM Punk, Bryan Danielson and Ruby Soho, whose ring name and entrance music have been co-signed by Rancid guitarist Lars Frederiksen. Since Every Time I Die released低青少年在2016年，威廉姆斯（Williams）致力于他的时间和身体，与他的团队的另一半部分摔跤，爬上了常规电视时间。这是一场惩罚性的演出，实际上，在巡回朋克乐队中的生活有很多共同点。
他说：“一个人将您带离家人40天，您住在面包车上。”“另一个每周一两天带您离开家人，但你走了。在工作的日子里，我几乎没有和未婚夫交谈。我整天很忙。太疯狂了。有时我会对此感到奇怪，然后说：“其中之一必须走。”然后我想，“没办法，伙计。”我只有43岁。我必须这样做，直到我做不到。显然，摔跤的事情将在音乐之前进行，因为我今年43岁。如果我要退休，那是我必须退休的时候。”
威廉姆斯的联合赛义家和创意箔纸约旦·巴克利（Jordan Buckley）感受到了所有这些努力的敲门效果Radical比他过去可能拥有的。威廉姆斯承认：“当我们写唱片时，我很难奔跑。”不过，巴克利（Buckley）处于挑战的好地方。“很好，”他说。“我们有时间。没感到匆忙。我只是坐在家里即兴。我每天给自己一个即兴演奏的配额。
“This was, say, 2017, 2018. The idea at the time was to take two months off, and that was insane. We were like, ‘I guess we could do nothing for the first time in 20 years.’ I gave nothing a try, and that worked for about four days. I picked the guitar up. Andy was out doing his thing and it felt natural. I was in a productive, creative place. I wasn’t being asked to do anything I wasn’t capable of doing.”
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Radical不是在空上运行的乐队的记录。它像m子一样踢，每次我都会死于我获得专利的野性，时间签名的疯狂品牌，并猛击强度，使每个即兴演奏都会击中听众，所有的膝盖和肘部。与回归制片人威尔·普特尼（Will Putney）一起录制，其令人震惊的强度并不是您总是与乐队相关联 - 在这种情况下，由歌手基思·巴克利（Keith Buckley），贝斯手史蒂夫·米奇奇（Steve Micciche）和鼓手克莱顿·霍利奥克（Clayton Holyoak）完成。
“Me and Jordan and Keith made this assumption a long time ago, that the day it’s hard for us to write music is the day it’s done,” Williams says. “On this one, it was crazy, dude. Every time we showed up to practice either I had a song done or Jordan had a song done. We would leave for the night, come back the next day and be like, ‘Hey, check it out. I’ve got this thing.’ Every Time I Die is one of those bands that’s blessed because we know who we are. That’s a big thing.”
对巴克利和威廉姆斯的声音仍然令人兴奋的事情是，无论制作多么强烈，而且在这里都非常有力，在所有事物上都有无限制的污垢涂层。这是他们在指甲下方的一切，经过多年寻求炸毁他们最喜欢的乐队的蓝图，著名的污物，例如Converge，Botch和Cocece。“我认为那是DNA，伙计，”威廉姆斯说。
Buckley agrees. “Our roots are in that,” he says. “You’re going to get us experimenting, you’re going to get us trying new things, but you’re never going to get us abandoning what got us where we are. We still love it. We still love bands that play that fuzzy, slimy, riffy, grungy, dirty hardcore-metal-whatever.”
Both players have signature guitars that were in the mix onRadical- 巴克利的特别是Eclipse, Williams’ Balageur Toros and Enigmas – alongside a莱斯·保罗Custom. “I’ve been too scared to play a Les Paul live ever since I broke one like 20 years ago,” Buckley admits. “But Andy’s got one and I’m not as scared to play it in the studio.” The cornerstone of the Every Time I Die sound is a JCM800, with one running pretty much all the time, but beyond that there aren’t too many similarities between Buckley and Williams in terms of their approach to gear.
巴克利说：“我一直是‘如果没有破产，那就不要修复它’“我有一个马歇尔800 and a TubeScreamer for over a decade. I like it, why change it? Andy bought me a 5150 because those are so reliably amazing. If Will tells me it’s going to sound good, that’s all I need to know. Andy is the guy who’ll try all 100 pedals and then decide.”
威廉姆斯不会不同意这一说法。他补充说：“我们一直在做的是将800与更现代的东西搭配。”“我的现场设置是台面双整流器，带有1977年JMP，50瓦。在记录中，我正在使用协同作用SLO mod - 疯了，男人 -西摩·邓肯（Seymour Duncan）700 power amp. And then we’d pair it with aBognerUberschall or a VHT Pittbull.”
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吉他手确实有互补的风格，每次我死亡时都会从不同角度惩罚即兴演奏，以便将其充实以获得最大的影响。他们在讨论彼此的优势的方式上有一个明显的信任，以及他们确实以音乐家的身份互相互相互相互相支持。“这很容易，”巴克利承认。“我们知道彼此的想法会很棒。在这里，安迪真的在进行实验。它使我想起了我们刚开始的时间。
“Before we knew how to write riffs and songs, we were just like, ‘Let’s make it crazy, let’s make it confusing.’ We would have mosh parts that were phone numbers – six times, seven times, then four times because that’s the area code. That’s how we thought we had to write. This time around we were kind of doing that again. You add in what we know now and you get fun, cool ideas. Maybe it worked too well because we got 16 songs and we didn’t want to cut any of them.”
威廉姆斯说：“约旦很像他的艺术，他非常注重细节。”“他将强调周转和桥梁。我，我是一个比数量的人。我的很多凹槽都来自我，许多技术东西来自约旦。他是高性能的现代车辆，我是一辆老肌肉车。这就是让我们在一起的原因。我一直想让人们浮出水面。他希望他们的下巴掉落。”
每次我死’sRadical现在已经过去了墓志铭。