“我Love Elvis Costello和我喜欢一个很棒的Jazzmaster Bridge Pickup，” Gabriel Currie对Model J进行了问。仍然使它成为沼泽灰的平板，利用美国精通的新金线圈和精美的磨坊工作。”
尽管Clarence更像是Telet-Strat混合动力，但Model J为自助餐带来了巨大的帮助。Given that the `Telemaster’ idea has been attempted by so many luthiers and partscaster builders, and now Fender has weighed in with the American Standard Offset Telecaster, it’s nice to see someone going for the opposite configuration and creating a JM-style guitar in a T-type chassis.
J型J的一件沼泽灰分的厚度为1.75英寸，深度为1957年风格的轮廓。身体上有一种手工雕刻的氛围和守卫的塑形，使我们想起了这并没有从吉他制造机器的末端弹出。当然，类似激光般的完美和手工不必是互斥的，但是自制的魅力让人联想到我们玩过的1950年代挡泥板。
J Model J并非轻量级，但它肯定会唱歌，其声音甚至比任何传统任命的Jazzmaster都更加可持续。很容易弄清楚为什么精通硬件变得如此受欢迎。虽然老式的JM Vibratos只有在与重的圆环一起使用时倾向于提供稳定性，但在这里与Dunlop .010串在一起，但旅行是平稳而音乐的，即使在严重的殴打后，吉他也可以完美地播放。您的烦躁的手也可以享受：纤细的C轮廓，圆形圆顶末端和12英寸半径的组合提供了一种不受欢迎且平整的感觉。
正在使用
The bridge pickup is sharp but not shrill,非常适合拉紧的即兴演奏和打击乐的节奏演奏 - 无论是上述的Costello，Wilko Johnson还是John Frusciante的后卫目录的芬克末端。加入少量的slapback，它也会做一个很好的路德·珀金斯。
The middle setting is very pretty indeed with a lovely mixture of sweetness and snap that’s ideal for clean and lightly driven Hendrix-y noodling around arpeggios and broken chords. If you like to combine thumbed basslines with high-end stabs, it’s the perfect voice – just add a little ambience and use the vibrato arm and you’re deep into Dan Auerbach’s record collection.
脖子拾音器带来身体和维持，而不会失去清晰度。While the other settings suit explosive, wiry lead playing, the neck unit copes better with languid blues lead and slide, though like any guitar with so much Jazzmaster in its DNA, you’ll have to work for it, wringing out as much expression as you can. Gabriel makes many set-neck instruments with the girth and sustain for swampier, bluesy styles; this is his highly-evolved alt-rocker, and very cool and inspiring it is too.
主要特征
Echopark型号J。
•价格£3,499
•描述固体双切电气，在美国制造
•建造单件沼泽灰烬车身，螺栓固定’59 c profile岩石枫木脖子，带补偿2.25度的脖子俯仰，平板12英寸半径印度玫瑰木架wth点wth点标记，22 Jescar 10850 frets，骨骼螺母
•硬件精通双垫桥和颤音尾巴，铝pickguard，克鲁森调谐器
•电气Echopark/Arcane Gold Coil（Neck）和J-Master（桥）单线圈拾音器，自定义锥度CTS 250K主音量和主音调，三向开关CRAFTCRAFT COFTER COFTER COCKUP选择器开关开关
•比例长度25.5“ /647.7mm
•颈部宽度螺母42毫米，第12粒货物为50.5mm
•Neck Depth：第一颗fret，第12毫米，第12毫米为21mm
•字符串间距螺母36毫米，桥梁52mm
•重量9lb/4kg
•完成光泽硝酸纤维素湖Placid蓝色金属（如所述）。许多其他饰面和有限的自定义选项可用。请参阅网站以获取详细信息
•Contact尾声音乐
01438 350815
echoparkguitars.com
面试：加布里埃尔·柯里（Gabriel Currie） - 埃科帕克吉他背后的人
G＆B从洛杉矶向东走，遇到为乔·佩里（Joe Perry），乔什·霍姆（Josh Homme），特洛伊·范·李温（Troy Van Leeuwen）和许多其他享有声望的球员建造吉他的人……
是一月中旬，洛杉矶在灰色的阴霾之下。在南加州团队的一年中的这个时候，在NAMM展览会上的许多值班之旅的退伍军人G和b通常期望会落后太阳镜，但是当我们进入圣加布里埃尔谷时，它看起来更像是雨。那是池畔鸡尾酒，然后是问题。是时候做一些工作了。如果您可以称之为...
No longer based in the LA neighbourhood of the same name, the Echopark Guitars workshop is located 18 miles to the east of the city in nearby El Monte, and we’ve travelled here with the guys from sole UK Echopark dealer Coda Music to meet Gabriel Currie, the man behind the guitars. A luthier with considerable pedigree, Currie learnt his trade under Leo Fender at G&L in the late 80s, where his experience was “as primitive as it gets in the guitar production world” as he worked his way through the ranks.
在90年代初期，他在格伦代尔（Glendale）的Tak Hosono设施中建造了伊巴内斯（Ibanez）的美国习俗，在那里他“接触了南加州一些精品吉他先驱的高质量建筑技术”。快进到2012年，Echopark吉他诞生了；加布里埃尔很快就会计算Aerosmith的乔·佩里（Joe Perry），石器时代的乔什·霍姆（Josh Homme）和特洛伊·范·李温（Troy Van Leeuwen）的皇后区，以及他的客户中的死亡金属鹰。
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With a computer-free approach that he laughingly describes as “more ancient-school than old-school”, Gabriel’s ethos puts a rather different slant on the notion of tone being in the fingers and a greater emphasis than most on the role of the hands in the building process behind a hand-made guitar: “I believe that the more your hands touch a piece of wood that is to become a musical instrument, the more it will respond, resonate and have an energy born into it as it is getting created.”
当涉及艺术家的特定委员会时，加布里埃尔（Gabriel）喜欢“详细了解细节，并找出玩家的声音需求首先是什么。Decide what the instrument’s voice should be, select the proper raw materials and then I will go over the electronics and neck shape and size, frets, colour finishing… but the neck, frets, voice and weight are the most important details in creating these instruments.”
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Although Gabriel’s designs range from swamp ash bolt-ons to all-mahogany set neck models and high-dollar exotica, something all of the guitars that we play today have in common is that they all sound very good indeed – to the point where each seems to have the more sophisticated voice of an older instrument. Gabriel works closely with Arcane Inc. mainman Rob Timmons, who has also collaborated with James Tyler, Tom Holmes and James Trussart on pickup designs: “Rob and I met a few years ago.
我正在寻找完美的P-90，或者可以在59岁的少年中复制狗耳朵的人。第二天，他在我的商店里有几份产品。一旦他钉了90年代，我就知道他可以做任何事情。我们已经设计了每个特定于该乐器的Echopark吉他的拾音器，包括金线圈标准和Humbucker型号。他了解谐波内容的真实是什么，并且已被证明是Echopark音调调色板的重要组成部分。”
Finally, as we admire some exotic timbers in Gabriel’s workshop, we wonder if he still finds out things that surprise him during the course of a build: “I generally find that the combination of unique wood and amazing component selection yields the best sonic suprises.” No surprise there, then.